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Pendance and Via Rail Partner for Rise Canada Director Labs

The Pendance Film Festival is excited to announce a new partnership with Via Rail Canada to create the new Rise Canada program. Rise Canada is a program open to all Canadian filmmakers 30 or under. The program provides full travel to Toronto for the Pendance Film Festival from anywhere in Canada provided by Via Rail Canada and complete enrolment in the Pendance Film Festival’s first Director Lab program.

The lab program provides 10 Canadian filmmakers complete access to Pendance workshops, conferences, panels, screenings & mentorship opportunities with top directors and producers from across the globe.

Applicants may apply to the lab program by submitting a resume, a few lines about why they got into filmmaking, and a sample of their work. Samples may be a link to a previous short film completed after 2015 or scenes from a work-in-progress. Submit all materials to programming@pendancefilmfestival.com by January 31, 2020. 

Rules
1. Via Rail agrees to cover travel only in Canada, coast-to-coast. For any applicants who are based outside of Canada, Via will only cover travel expenses within Canada.

2. Pendance agrees to grant all 10 selected directors complete access to the festival between February 20-23, including all screenings, conferences, galas, workshops, networking events, panels, and 2 passes to Pendance Music.

3. Applicants must be 30 years old or under at the time of submitting.

First Six Films Selected to Pendance 2020

We’re pleased to welcome the first 6 short films selected to Pendance 2020.

The Van – Erenik Bequiri (Albania)

The Van finally stops, the doors open and Ben comes out alive. A few more fights and he will be able to pay his way out of Albania, and hopefully, take his father with him.

Solar Plexus – David McShane (UK)

Noah battles to overcome his grief at the death of his mother, a journey that takes him from his flat to beyond the stars.

La Maman des Poissons – Zita Hanrot (France)

On the day of their grandmother’s funeral, Sacha gathers her cousins to write a tribute to her, but nothing will happen as planned.

Bonobo – Zoel Aeschbacher (Switzerland)

When the elevator of their public housing breaks down, the fates of Felix, a disabled pensioner, Ana, a single mother struggling with her move and Seydou, a young man passionate about dance, intertwine towards an explosive ending where their limits will be tested.

She Runs – Qiu Yang (China/France)

In an ordinary Chinese winter, a small city junior high student, YU, tries to quit her school aerobic dancing team.

Heroes – Pablo Manchado Cascon & Santiago Cardelus Ruis-Alberd (Spain)

An average guy driving his car comes across a woman being assaulted. He is torn between his instinct to ignore the scene and drive on, or sum up his courage and become a hero.

Programmers Masha Litvinava & Robert Misovic have taken shorts programming to a new level this year. These films are a mixed bag of some fresh discoveries and some of the most decorated shorts of 2019. Pendance fans may remember Qiu Yang’s 2017 Gentle Night which won Best Director at Pendance and Palme d’Or at Cannes. She Runs won the Leitz Cine Discovery Prize at Semaine de la Critique. Bonobo by Zoel Aeschbacher won the Audience Award at Clermont-Ferrand. The Van premiered at the Cannes Film Festival as an Official Selection in 2019.

Solar Plexus becomes the fourth film selected to Pendance from the Cannes Cinefoundation showcase – the first 3 being last year’s Rubber Dolphin, Inanimate, and Equally Red & Blue. Heroes & Speechless are wonderful films by extremely talented emerging directors. Speechless director Zita Hanrot is best known as an actress, and she won the Cesar Award in 2016 for the film Fatima.

Announcing Pendance Doctrina

So much of what made Pendance 2019 successful was about the films. But so much of it wasn’t. Who could forget Mark Raso’s filmmaking workshop? Or Quest director Santiago Rizzo’s heart-felt skype Q&A about youth in crisis? And what would Pendance’s opening-night feature ‘Age Out’ have been without the eye-opening Q&A by OnBuzz CEO and Social Impact advocate Alan Elias?

“We’re trying to be more than a place people go to watch films. We’re trying to bring new ideas and important stories to the forefront and share them against the backdrop of Toronto winters. We want Pendance to become as synonymous with big ideas, important conversations, great music, innovation, and learning as it is with great cinema” stated festival director Robert Misovic.

Doctrina Leaders Maria Fomina (left) and Kristina Zabelin (right)

 

Pendance Doctrina features 5 components; social impact initiatives, documentaries, workshops, panels and conferences. Doctrina is Latin and is tied with learning, knowledge, or teaching. It is also feminine. And it’s no accident that an initiative entitled ‘Doctrina’ which aims to empower youth is led by two of Pendance’s youngest members; Kristina Zabelin & Maria Fomina leading the workshops and conferences respectively.

For Pendance Workshops, the festival has spent over a year researching how people learn. These free-to-attend workshops feature industry leaders teaching core topics in an engaging way, implementing student participation, audio-visual tools, and hands-on learning. These aren’t merely lectures or how-to instructionals.

 

Alan Elias speaks on the American Foster Care system at Pendance 2019

 

The Panels feature lively debates exploring topics from multiple angles and unique perspectives. The team has sought out the brightest and most credible minds in the industry to speak at these panels and by allowing free access to students and partnering with film schools, Pendance is hoping to ignite a deep curiosity among youngsters breaking into the film and television industry.

Pendance conferences follow the format of lectures or talks from key speakers on issues the festival feels are worth exploring. Finally, Pendance will begin to feature documentary features as a means of diversifying its narrative-heavy selections from the first two years.

“Rob Stewart was a big inspiration to me growing up, and documentaries like Sharkwater have sparked global movements. With so many conversations that are best explored through the documentary medium, we look forward to making documentaries a big part of what we’re doing at Pendance and our Doctrina arm going forward” stated festival director Robert Misovic.

Finally, social impact is a means of engaging community involvement year-round. This means youth-driven initiatives and support for charities and causes the festival holds in high regard. In 2019, the festival will be re-launching the ‘Warming the Streets’ initiative in which volunteers take a night to walk through the city with gift-wrapped coats, jackets, sweaters, socks, gift cards, and vouchers and break bread with the city’s underprivelged population.

 

Velvet Underground New Home for Pendance Music

There could have been no home finer than The Velvet Underground. Pendance’s new Music Director Walter Noseworthy had visited and researched every concert venue in Toronto and when it came down to where he wanted to host the opening night concert to launch the Pendance Film Festival, it came down to Velvet Underground v.s nobody.

“It’s the perfect venue. Velvet has a rich history of hosting amazing musicians, a great atmosphere for an intimate concert, and it is located so close to the festival’s film screenings and workshops” said festival director Robert Misovic.

Who is coming to Pendance Music? Well, that’s a surprise. The scouting process to find the best artists to bring to Pendance’s first official concert started in August and everyone on the team internally seems optimistic that they’ll find 3-4 of Canada’s best musicians to headline the event.

Pendance Music takes place at 8:00 PM on February 20, 2020. Velvet Underground is located at 508 Queen Street West in the downtown Toronto core. Tickets should be on sale in January.

Pendance Library is Now Live

We’re so proud to announce that the Pendance Library is now live. Check it out here. We love the films we select so much and stand behind these films forever. As they go online or become available on streaming platforms, you can expect to see our library grow.

For now we start out with 15 films – 12 shorts available online and three features from our 2019 festival available on demand. Check out the link above, and check back each month as more titles become available!

Features: Age Out (Best Picture 2019), Anywhere With You and In Reality (Audience Award Winner 2019)

Shorts: Catastrophe, All These Creatures, A Handful of Dust, Space Girls, Jitters, Inland Freaks, Curfew, Botanica, Nightshade, Dog in the Woods, The Replacement, Fake News.

 

‘Age Out’ Available Now in Theatres and on ITunes

Age Out (formerly Friday’s Child) launched online on Google Play, ITunes and various other platforms on November, 22, 2019. After winning the Jury Award for Best Picture at Pendance 2019, a world premiere at SXSW and a great festival run, the film is finally getting some recognition ahead of its release. Reviews for the film have been overwhelmingly positive and we expect that audiences will truly enjoy this beautifully poetic Waco-Texas-shot work of cinema.

Check out the new trailer here, find the film for rent here, and if you’re really interested in finding out more, be sure to check out Producer Alan Elias’ Q&A at Pendance 2019.

Pendance Announces Short Film Jury for 2020

The Pendance Film Festival is proud to welcome eight wonderful additions to the Short Film Jury for 2020.

The Jury is comprised of Robyn Citizen (TIFF Short Cuts Programmer), Alexandra Mitchell (Austin Film Festival Programmer) and Pendance alums; Mauro Mueller, Myrsini Aristidou, Carlota Pereda, Marija Apcevska, Cam Be, and Clara Lezama.

Robyn Citizen is a film and media scholar on ethno-racial and national identity, and the horror and sci-fi genres. In 2018, she joined the programming teams for the Toronto International Film Festival and the Human Rights Film Festival. From 2012 to 2017 she was a lecturer in the Department of Asian Studies and the Department of Theatre and Film at the University of British Columbia. Recently, Citizen was a featured writer and panelist at the Emergence Symposium’s Black to the Future program, on the themes and cultural impact of Afrofuturism.

Mauro Mueller is an independent Swiss-Mexican narrative filmmaker and a member of the Academy of Motion Pictures Arts and Sciences. He is best known for directing the short films A World for Raúl which won the Student Academy Award for 2013, Dear Chickens (which had its Canadian premiere at Pendance 2019) and producing the feature film Copenhagen, and the Mexican feature In Times of Rain. He co-founded Fidelio Films alongside Columbia University alums Mark Raso, David Figueroa García, and Mauricio Leiva-Cock in 2010.

Myrsini Aristidou is an award-winning filmmaker based between Paris and Cyprus. She graduated with an MFA in Film Directing from NYU Tisch School of the Arts in 2017, and holds a BFA in Film and History of Art from Pratt Institute in New York. Her short film Aria premiered at the the 74th Venice Film Festival, and continued to screen at Sundance. Her previous short film Semele premiered at the Toronto International Film Festival in 2015 and won the Berlinale Short Film Special Prize of the Generation Kplus International Jury.

Alexandra “Alex” Mitchell was born and raised in St. Louis, Missouri. After graduating from Washington University with a B.A. in Film & Media Studies, she made the trek down ‘south’ with the dream of working at Austin Film Festival. She made it! After serving as a Conference intern, Registration Director, and recently the Project Manager, Alex is honored to serve as the Shorts Programmer in the Film Department. When Alex is not watching films and reading up on the industry, she is eating brunch and playing board games.

Carlota Pereda is an award-winning Spanish director and screenwriter. She has worked on various television productions. She is known for directing Las Ninas Rubias (The Blonde Girls) in 2016 and Cerdita (Piggy) in 2018. Both films earned international acclaim, with the latter winning the Goya. Piggy won the Jury Award for Best Short Film at Pendance 2019.

Marija Apcevska is a Macedonian filmmaker. She graduated from the Academy of Dramatic Arts, Skopje. She continued her education at the New York Film Academy, LA, California with an MFA in filmmaking. Her short film Bardo premiered at Berlinale. Her short film Ambi was included in Cineuropa Shorts selection of Top Five European Shorts of 2017.

 

Cam Be studied at the New York Film Academy and Columbia College in Chicago. Cam has interviewed and documented iconic artists such as Maya Angelou, Lauryn Hill, Common, among others. He received an Emmy award as a producer for About Last Night in 2012. He’s best known for his feature-documentary The Exchange, and his short doc Where Flowers Bloom (2018).

 

Clara Lezama is a 25 year-old filmmaker from Montevideo, Uruguay. She graduated from Escuela de Cine del Uruguay in 2016 and has worked as a director, editor and AD. Her short film Emma won best short film at FIEC, the Festival Piriápolis de Película, and Pendance 2017. She participated in Cinemademare in 2017, and currently works for Cinemateca Uruguaya.

 

‘To The Night’ by Peter Brunner Makes its Canadian Premiere at Pendance 2019

Synopsis: Caleb Landry Jones (Get Out, Three Billboards) and Eleonore Hendricks star in Peter Brunner’s Psychological thriller. Set in New York, the film explores the dark mind of Norman (Jones), an installations artist, as he attempts to piece together his tormented past and the fire in which his parents died.

McKinnon and Hendricks give captivating supporting performances and Christos Haas is the best he’s ever been. The film is carried by Jones who perhaps gives the best acting performance of the year in this film.

‘To the Night’ ties together its dark protagonist with some of the most beautiful cinematography of the year in a film that will remain with you for days and weeks after viewing. Not since Martin Scorsese’s ‘Taxi Driver’ has a film taken such risks to get into the head of its complex protagonist.

 

Country: Austria, USA

 

 

 

 

‘In Reality’ by Ann Lupo Makes its Canadian Premiere at Pendance 2019

 

Synopsis: Despite boasting rich friendships and a creative job, young filmmaker Ann is consumed by the fantasy of finding true love. Just when she thinks she’s found it, she is friend-zoned and the disappointment of rejection shoots her down a deep rabbit hole of unrequited love. Looking for a way to climb out, Ann picks up a camera and sets her sights inward. She confronts multiple characters within her conscious, from a maniacal game show host to a glamorous cabaret performer, that guide her through her investigation of the relationship and her own neuroses. Blending docu-style interview with comedy, drama and hyperbolic fantasies, Ann creates an elaborate, eccentric world that manages to be as intensely relatable as it is one of a kind.

 

Country: USA